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Sony 8mm Formats
This doc goes over Video8, Hi8 and its transition/phase out format Digital8.
For Digital8 and DV25 capture read Digital Tape Guide.
Warning
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Not all 3.5mm TRSS to A/V or L/R/CVBS/GND cables are correct pinout for Sony camcorders, or use standard pinout headphone output ports.
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Always check that video is not being sent on the audio connection cable this will cause issues with both standard capture and FM RF capture.
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Overview
Conventional Capture Workflow
FM RF Capture Workflow
Combined
8mm formats multiplex there signals into one path meaning Video/HiFi are on the same test point modulated together making your archives a nice simple 1 file per tape using a single capture device such as a CX Card or DomesDayDuplicator.
Jig Setup (Camcorder/Portable Players)
Simply visually check your pin amount and buy the correct jig with the links below.
Jigs (Unpopulated) / Jigs (With 2.54mm pins) / Flex Cable 0.5mm Pitch / DuPont to BNC Type 2 AC-L200 USB Power Adapter / Type 1 AC-L100 USB Power Adapter
Check the service manual to see what pins have the RF signal. Like any RF tap a 10uf capacitor (ceramic) may be required in-line to get a workable signal depending on setup and device. Some users on the DD86 Discord have had some trouble with getting good output from the newer Sony camcorders, so what input impendence values are optimal are not quite ironed out yet for the long list of non-tested devices.
It is 2 things a flex ribbon cable, and a basic PCB that breaks out the connection points to large test probe points or standard header pins which are not practical to install internally on such small camcorder devices.
The Pitch is the space of the flex ribbon cables contacts, Sony use a 0.5mm pitch on there test point ports.
(With a calliper can measure pitch and length and easily replace most flex cables in devices such as VCRs)
On most Sony Digital8 camcorders that support backwards playback, at the battery area, there is a rubber grommet or screw down plate once removed this exposes the Jig connection point for testing this is normally 16/18/20 pin ribbon connectors with a 0.5mm pitch, readily available and generic breakout boards exist so this is the go-to method for capturing Video8/High8 tape formats, decks however have 2.54mm header pins.
Build your own control interface!
Thanks to Novgorod's Arduino LANC to USB we have a software replacement for LANC decks.
Tape Format | Resolution | Tape Speed | TV System | RF Capture Support | Video Decoding Support | HiFi Audio Decoding Support |
---|---|---|---|---|---|---|
Sony Video8 | 280 Lines | SP/LP | 625 PAL | Yes | Yes* | Yes* |
Sony Video8 | 280 Lines | SP/LP | 525 NTSC | Yes | Yes* | Yes |
Tape Format | Resolution | Tape Speed | TV System | RF Capture Support | Video Decoding Support | HiFi Audio Decoding Support |
---|---|---|---|---|---|---|
Sony Hi8 | 415 Lines | SP/LP | 625 PAL | Yes | Yes* | Yes* |
Sony Hi8 | 415 Lines | SP/LP | 525 NTSC | Yes | Yes* | Yes |
*HiFi Audio decoding needs refinement. *Video8 decoding is near native, Hi8 decoding is still being refined.
Format | Sub Sampling | Resolution | Frame Rate | Bitrate | Audio | Date Code | Timecode | Interface | Analogue Outputs | Cross Support |
---|---|---|---|---|---|---|---|---|---|---|
DV25 NTSC | 4:1:1 8-bit | 720x480 | i29.97 | 25-30mbps | PCM 12/16-Bit | Yes | Sub-Code | FireWire | 525-Line NTSC 3.58 | PAL |
DV25 PAL | 4:2:0 8-bit | 720x576 | i25 | 25-30mbps | PCM 12/16-Bit | Yes | Sub-Code | FireWire | 625-Line PAL | NTSC 4.43 / PAL60 |
Most but not all Digital8 camcorders had backwards playback support for Video8 & Hi8 and could digitise them to a DV25 stream internally that it outputs via FireWire which it natively uses for recording or more ideally as those formats are analogue you capture via via S-Video & AV breakout cables.
Note
Hi8 Tapes with RCTC data will be automatically converted into standard ancillary DV timecode with DV25 conversion/capture within a Digital8 device.
Warning
Ensure never to "hot plug" FireWire if doing duel capture this can damage equipment, if detection issues then turn camcorder off, then on again, but only plug/unplug live firewire with the playback device off.
Caution
Digital8 uses DV25 a Lossy Compressed
codec at NTSC 720x480i29.97 4:1:1 or PAL 720x576i25 4:2:0 witch is not ideal for analogue video.
The minimum archive standard for conventional analogue tape capture with no codec side artefacts is FFV1 8-bit 4:2:2 at 40-60mbps Lossless Compressed
but ideally 10-bit 4:2:2 is used for initial capture.
List of models
Model | Type | TV System | User Manual | Service Manual | Video8 / Hi8 Support | Service Jig Point | Tapped & Tested |
---|---|---|---|---|---|---|---|
GV-D800 | Digital 8 | PAL | Not Indexed | Not Indexed | Yes | Unknown | None Documented |
GV-D200 | Digital 8 | PAL | Not Indexed | Not Indexed | Yes | Unknown | None Documented |
GV-A500 | Hi8 | NTSC | Not Indexed | Not Indexed | Yes? | Unknown | None Documented |
GV-500 | Video8 | NTSC | Not Indexed | Not Indexed | Video8 | Unknown | None Documented |
EV-DT1 | Video8 | NTSC | Not Indexed | Not Indexed | Video8 | Unknown | None Documented |
GV-8 | Video8 | PAL | Not Indexed | Not Indexed | Video8 | Unknown | None Documented |
Model | User Manual | Service Manual | Video8 / Hi8 Support | Service Jig Point | Tapped & Tested |
---|---|---|---|---|---|
DCR-TR7000 | Not Indexed | Not Indexed | Yes | Unknown | None Documented |
DCR-TRV103 | Not Indexed | Not Indexed | Yes | Unknown | None Documented |
DCR-TRV110 | Not Indexed | Not Indexed | Yes | Unknown | None Documented |
DCR-TRV120 | Not Indexed | Not Indexed | Yes | Unknown | None Documented |
DCR-TRV203 | Not Indexed | Not Indexed | Yes | Unknown | None Documented |
DCR-TRV210 | Not Indexed | Not Indexed | Yes | Unknown | None Documented |
DCR-TRV230 | Not Indexed | Not Indexed | Yes | Unknown | None Documented |
DCR-TRV240 | Not Indexed | Not Indexed | Yes | Unknown | None Documented |
DCR-TRV310 | Not Indexed | Not Indexed | Yes | Unknown | None Documented |
DCR-TRV315 | Not Indexed | Not Indexed | Yes | Unknown | None Documented |
DCR-TRV318 | Not Indexed | Not Indexed | Yes | 16pin 0.5mm Pitch | Yes 100uF Cap Added |
DCR-TRV320 | Not Indexed | Not Indexed | Yes | Unknown | None Documented |
DCR-TRV330 | Not Indexed | Not Indexed | Yes | Unknown | None Documented |
DCR-TRV340 | Not Indexed | Not Indexed | Yes | Unknown | None Documented |
DCR-TRV350 | Not Indexed | Not Indexed | Yes | Unknown | None Documented |
DCR-TRV351 | Not Indexed | Not Indexed | Yes | Unknown | None Documented |
DCR-TRV360 | Not Indexed | Not Indexed | Yes | Unknown | None Documented |
DCR-TRV361 | Not Indexed | Not Indexed | Yes | Unknown | None Documented |
DCR-TRV380 | Not Indexed | Not Indexed | Yes | Unknown | None Documented |
DCR-TRV460 | Not Indexed | Not Indexed | Yes | Unknown | None Documented |
DCR-TRV480 | Not Indexed | Not Indexed | Yes | Unknown | None Documented |
DCR-TRV520 | Not Indexed | Not Indexed | Yes | Unknown | None Documented |
DCR-TRV525 | Not Indexed | Not Indexed | Yes | Unknown | None Documented |
DCR-TRV530 | Not Indexed | Not Indexed | Yes | Unknown | None Documented |
DCR-TRV730 | Not Indexed | Not Indexed | Yes | Unknown | None Documented |
DCR-TRV740 | Not Indexed | Not Indexed | Yes | Unknown | None Documented |
DCR-TRV828 | Not Indexed | Not Indexed | Yes | Unknown | None Documented |
DCR-TRV830 | Not Indexed | Not Indexed | Yes | Unknown | None Documented |
DCR-TRV840 | Not Indexed | Not Indexed | Yes | 20pin 0.5mm Pitch | Yes Direct |
DCR-TRV130 | Not Indexed | Not Indexed | No | Unknown | None Documented |
DCR-TRV140 | Not Indexed | Not Indexed | No | Unknown | None Documented |
DCR-TRV150 | Not Indexed | Not Indexed | No | Unknown | None Documented |
DCR-TRV250 | Not Indexed | Not Indexed | No | Unknown | None Documented |
DCR-TRV260 | Not Indexed | Not Indexed | No | Unknown | None Documented |
DCR-TRV265 | Not Indexed | Not Indexed | No | Unknown | None Documented |
DCR-TRV280 | Not Indexed | Not Indexed | No | Unknown | None Documented |
These European camcorder models end with an “E”, the list below is backward compatible and can still playback Video8 and Hi8 PAL tapes originally recorded at 25 frames per second.
Again if you are outside the US these are the camcorders for you, and if you can find one of these in the US they should also work for you as they all have duel PAL/NTSC support like most later PAL analogue equipment which is not seen on MiniDV however.
Model | User Manual | Service Manual | Video8 / Hi8 Support | FireWire Interface | Service Jig Point | Tapped & Tested |
---|---|---|---|---|---|---|
DCR-TR7000E | Not Indexed | Not Indexed | Yes | |||
DCR-TR7100E | Not Indexed | Not Indexed | Yes | |||
DCR-TRV738E | Not Indexed | Not Indexed | Yes | |||
DCR-TRV320E | User Manual | Not Indexed | Yes | Yes | Unknown | No |
DCR-TRV330E | Not Indexed | Not Indexed | Yes | Yes | Unknown | No |
DCR-TRV340E | Not Indexed | Not Indexed | Yes | |||
DCR-TRV460E | Not Indexed | Not Indexed | Yes | |||
DCR-TRV461E | Not Indexed | Not Indexed | Yes | |||
DCR-TRV238E | Not Indexed | Not Indexed | Yes | Yes | 20pin 0.5mm Pitch | Yes Direct |
DCR-TRV239E | Not Indexed | Not Indexed | Yes | |||
DCR-TRV8000E | Indexed | Not Indexed | Yes | Yes | 20pin 0.5mm Pitch | Yes 10uf Cap Added |
Not confirmed.
Model | User Manual | Service Manual | Video8 / Hi8 Support | FireWire Interface | Service Jig Point | Tapped & Tested |
---|---|---|---|---|---|---|
DCR-TRV325E | Not Indexed | Not Indexed | Unknown | Yes | Unknown | No |
DCR-TRV530E | Not Indexed | Not Indexed | Unknown | Yes | Unknown | No |
DCR-TRV430E | Not Indexed | Not Indexed | Unknown | Yes | Unknown | No |
DCR-TRV230E | Not Indexed | Not Indexed | Unknown | Yes | Unknown | No |
DCR-TRV235E | Not Indexed | Not Indexed | Unknown | Yes | Unknown | No |
DCR-TRV325E | Not Indexed | Not Indexed | Unknown | Yes | Unknown | No |
DCR-TVR250E | Not Indexed | Not Indexed | No | Yes | Known | No |
DCR-TRV255E | Not Indexed | Not Indexed | No | Yes | Unknown | No |
DCR-TRV265E | Not Indexed | Not Indexed | No | Yes | No |
Model / Format / Sound / PCM / DCF / Year / € / Drive Comments
Model | Format Support | Sound Support | Year | Price EUR | Drive Type | Frank Hirsinger's Notes |
---|---|---|---|---|---|---|
CCD-V8 | V8 | o - - | 1985 | €1500 | O | originally camcorder; complete VCR, however, with Timer-Tuner Unit TT-V8E |
EV-C8 | V8 | o - - | 1985-1986 | €900 | O | first mobile V8 VCR for CCD M8E or as VCR for Timer/Tuner TT-V8E |
EV-P10 | V8 | o - - | 1987-1988 | €380 | O | first V8 player (no record function!), designed for camcorder without playback option |
EV-A300 | V8 | o (oo) + - | 1986 | €850 | O | with optional PCM Processor (PCM-EV10E) capable of 1 Track PCM |
EV-S700 | V8 | oo 6tr. - | 1986 | €1400 | O | identical to EV-S600; rounded front panel |
EV-S600 | V8 | oo 6Dr. - | 1987 | €1350 | O | also marketed by Pioneer with some different functions and RC |
EV-A200 | V8 | o - - | 1987-1990 | €800 | O | the standard V8 VCR following the 300 model, after the first Multi PCM models were on the market |
EV-S650 | V8 | oo 6tr. - | 1988-1989 | €1200 | O | designed especially for DAV PCM recording and playback |
EV-S850 | V8 | oo 6Tr. - | 1987-1990 | €1500 | O | Sony's first model with Jog Shuttle |
EV-S550 | V8 | oo st 1Tr. - | 1990-1992 | €1400 | U | precursor of the 1000; marks the end of the 6 track DAV standard (5 year run...); built in camcorder power source |
EV-C3 | V8 | o - - | 1990-1993 | €400 | U | first handy VCR for cutting and editing videos with a camcorder |
EV-C45 | V8 | st - - | 1992-1994 | €500 | U | developed from the C3E, now with stereo sound |
Model | Format Support | Sound Support | Year | Price EUR | Drive Type | Frank Hirsinger's Notes |
---|---|---|---|---|---|---|
EV-S1000 | V8 & Hi8 | oo st 1Tr | 1990-1994 | €1500 | U | probably the best selling Hi8 video cut VCR with PIP and separated pictures for input and output picture on one screen |
EV-S880 | V8 & Hi8 | st - yes | 1993-1994 | €1100 | U | developed from the 1000 with new designed circuit boards for mechanics and electronics |
EV-C500 | V8 & Hi8 | st - - | 1993-1998 | €700 | U | first handy hi8 VCR developed from the C45 (long time in the market) |
EV-P25 | V8 | st - - | 1994-1995 | €380 | U | inexpensive V8 player (no recorder!) |
EV-P300 | V8 & Hi8 | st - - | 1994-1995 | €500 | U | first inexpensive Hi8 player, developed from the P25 |
EV-C400 | V8 & Hi8 | st - - | 1996-2000 | €500 | F | Hi8 VCR developed from the P series, however with the new F mechanics |
EV-C2000 | V8 & Hi8 | st - yes | 1995-2000 | €900 | F | cheap version of the 9000 model, however without the motor driven panel. Capable of viewing and recording the RTC Timecode |
EV-S9000 | V8 & Hi8 | oost 1Tr. yes | 1995-1999 | €1750 | F | last PCM VCR with digital pic. improvements like drop-out filter, digital comb filter; RTC ; Time Base Corrector |
EV-T1 | V8 & Hi8 | VHS st - yes | 1996-1997 | €1650 | F | Twin Recorder with Hi8 and VHS mechanics; very good picture due to DCF |
SLV-T2000 | V8 & Hi8 | VHSst - - | 1997-2001 | €1000 | F | Inexpensive successor of the EV-T1VC |
o
= HiFi Mono via FM head signal
oo
= Stereo via PCM; Mono over FM head signal
st
= Stereo sound over polarized FM head signal
PCM
= Pulse Code Modulation. Here analogue signals are converted into binary signals. With this method, the carrier signal is in pulse form, the modulation signal is digital.
1Tr
= 1 Audio Track.
6tr
= 6 Audio Track.
RTC
= Sony Re-Writable Consumer Timecode
DNR
= Dynamic Noise Reduction = electronic noise reduction: The Dolby noise reduction system is well-known for audio cassette recorders.
DCF
= Digital Comb Filter: Enables clean separation of interleaved colour and B/W signals. This prevents colour streaks and unsteady colour edges and enables crystal-clear and precise images.
PCM technology samples the analogue signal 8,000 times per second and converts it into an 8-bit signal, resulting in a sample every 125 µs. The resulting transmission speed is 64 kbit/s.
1 Track is the 1 track PCM method that uses an additional track to dub V8 tapes.
Sound recordings can also be made without a picture 6 track
refers to the 6 track PCM process
, which is only possible with DAV (Digital Audio Video) devices and enables 6 parallel tracks on one tape. Disadvantage: you can only listen to or record one track at a time. So no real multitrack method!
With the O-drive, the tape is wound counter clockwise around the head drum with a pin.
With the U drive, 2 pins loop the tape around the head drum from both sides and "write" a "U". The F drive is a further development of the U drive. It has a more stable capstan shaft and also offers the option of very fast tape rewinding of just 1 minute (90s cassette) without wrapping around the head drum (tape protection). Some other weaknesses of the U drive have also been skilfully improved!
Thanks to Bob Hennessey & Frank Hirsinger for there charts, materials and collected manuals.
- FAQ - Frequently Asked Questions
- Diagram Breakdowns
- Visual-Comparisons
- VCR Reports / RF Tap Examples
- Download & Contribute Data
- Speed Testing
- Visual VBI Data Guide
- Closed Captioning
- Teletext
- WSS Wide - Screen Signalling
- VITC Timecode
- VITS Signals
- XDS Data (PBS)
- Video ID IEC 61880
- Vapoursynth TBC Median Stacking Guide
- Ruxpin-Decode & TV Teddy Tapes
- Tony's GNU Radio For Dummies Guide
- Tony's GNU Radio Scripts
- DomesDay Duplicator Utilities
- ld-decode Utilities