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2021</journal_title> | ||
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<unstructured_citation>Goebl, W., & Weigl, D. M. (2022). | ||
Alleviating the last mile of encoding: The mei-friend package for the | ||
Atom text editor. In S. Münnich & D. Rizo (Eds.), Music Encoding | ||
Conference Proceedings 2021 (pp. 31–39). University of Alicante. | ||
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<article_title>FAIR interconnection and enrichment of | ||
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<journal_title>Empirical Musicology Review</journal_title> | ||
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<volume>16</volume> | ||
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A., Goebl, W., Gómez, E., Gutierrez, N. F., Liem, C. C. S., & | ||
Santos, P. (2021). FAIR interconnection and enrichment of public-domain | ||
music resources on the Web. Empirical Musicology Review, 16(1), 16–33. | ||
https://doi.org/10.18061/emr.v16i1.7643</unstructured_citation> | ||
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<article_title>Listen Here! A Web-native digital musicology | ||
environment for machine-assisted close listening</article_title> | ||
<author>Weigl</author> | ||
<journal_title>Proceedings of the 10th international | ||
conference on digital libraries for musicology (DLfM’23)</journal_title> | ||
<doi>10.1145/3625135.3625144</doi> | ||
<isbn>9798400708336</isbn> | ||
<cYear>2023</cYear> | ||
<unstructured_citation>Weigl, D. M., VanderHart, C., | ||
Rammler, D., Pescoller, M., & Goebl, W. (2023). Listen Here! A | ||
Web-native digital musicology environment for machine-assisted close | ||
listening. Proceedings of the 10th International Conference on Digital | ||
Libraries for Musicology (DLfM’23), 109–118. | ||
https://doi.org/10.1145/3625135.3625144</unstructured_citation> | ||
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<article_title>Music Encoding Initiative (Digital and | ||
Multimedia Scholarship)</article_title> | ||
<author>Crawford</author> | ||
<journal_title>Journal of the American Musicological | ||
Society</journal_title> | ||
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<doi>10.1525/JAMS.2016.69.1.273</doi> | ||
<cYear>2016</cYear> | ||
<unstructured_citation>Crawford, T., & Lewis, R. (2016). | ||
Music Encoding Initiative (Digital and Multimedia Scholarship). Journal | ||
of the American Musicological Society, 69(1), 273–285. | ||
https://doi.org/10.1525/JAMS.2016.69.1.273</unstructured_citation> | ||
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<article_title>Interaction perspectives for music notation | ||
applications</article_title> | ||
<author>Pugin</author> | ||
<journal_title>SAAM’18: Proc. of the 1st Int. Workshop on | ||
Semantic Applications for Audio and Music</journal_title> | ||
<doi>10.1145/3243907.3243911</doi> | ||
<cYear>2018</cYear> | ||
<unstructured_citation>Pugin, L. (2018). Interaction | ||
perspectives for music notation applications. In SAAM’18: Proc. of the | ||
1st Int. Workshop on Semantic Applications for Audio and Music (pp. | ||
54–58). Association for Computing Machinery Press. | ||
https://doi.org/10.1145/3243907.3243911</unstructured_citation> | ||
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<article_title>Verovio: A library for engraving MEI music | ||
notation into SVG</article_title> | ||
<author>Pugin</author> | ||
<journal_title>Proc. of the 15th Int. Society for Music | ||
Information Retrieval Conference (ISMIR 2014)</journal_title> | ||
<cYear>2014</cYear> | ||
<unstructured_citation>Pugin, L., Zitellini, R., & | ||
Roland, P. (2014). Verovio: A library for engraving MEI music notation | ||
into SVG. Proc. of the 15th Int. Society for Music Information Retrieval | ||
Conference (ISMIR 2014), 107–112. | ||
https://archives.ismir.net/ismir2014/paper/000221.pdf</unstructured_citation> | ||
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<article_title>An MEI-based standard encoding for | ||
hierarchical music analyses</article_title> | ||
<author>Rizo</author> | ||
<journal_title>International Journal on Digital | ||
Libraries</journal_title> | ||
<issue>1</issue> | ||
<volume>20</volume> | ||
<doi>10.1007/s00799-018-0262-x</doi> | ||
<cYear>2019</cYear> | ||
<unstructured_citation>Rizo, D., & Marsden, A. (2019). | ||
An MEI-based standard encoding for hierarchical music analyses. | ||
International Journal on Digital Libraries, 20(1), 93–105. | ||
https://doi.org/10.1007/s00799-018-0262-x</unstructured_citation> | ||
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<article_title>Digital encoding of music notation with | ||
MEI</article_title> | ||
<author>Geertinger</author> | ||
<journal_title>Notated music in the digital sphere. | ||
Possibilities and limitations</journal_title> | ||
<volume>15</volume> | ||
<cYear>2021</cYear> | ||
<unstructured_citation>Geertinger, A. T. (2021). Digital | ||
encoding of music notation with MEI. In M. Støkken Bue & A. | ||
Rockenberger (Eds.), Notated music in the digital sphere. Possibilities | ||
and limitations (Vol. 15, pp. 35–56). National Library of Norway. | ||
https://issuu.com/nasjonalbiblioteket/docs/nota_bene_15_layout_issuu/35</unstructured_citation> | ||
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<article_title>Music Encoding Initiative (MEI) format | ||
family</article_title> | ||
<author>United States Library of Congress</author> | ||
<cYear>2019</cYear> | ||
<unstructured_citation>United States Library of Congress. | ||
(2019). Music Encoding Initiative (MEI) format family. | ||
https://www.loc.gov/preservation/digital/formats/fdd/fdd000502.shtml.</unstructured_citation> | ||
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<article_title>CodeMirror, version 5</article_title> | ||
<author>Haverbeke</author> | ||
<cYear>2015</cYear> | ||
<unstructured_citation>Haverbeke, M. (2015). CodeMirror, | ||
version 5. | ||
https://github.com/codemirror/codemirror5.</unstructured_citation> | ||
</citation> | ||
<citation key="Plaksin_DLfM2023"> | ||
<article_title>Understanding the needs of music editors in a | ||
digital world. Adding support for editorial markup to the mei-friend | ||
editor</article_title> | ||
<author>Plaksin</author> | ||
<journal_title>Proc. of the 10th int. Conference on digital | ||
libraries for musicology (DLfM’23)</journal_title> | ||
<doi>10.1145/3625135.3625149</doi> | ||
<isbn>9798400708336</isbn> | ||
<cYear>2023</cYear> | ||
<unstructured_citation>Plaksin, A. (2023). Understanding the | ||
needs of music editors in a digital world. Adding support for editorial | ||
markup to the mei-friend editor. Proc. of the 10th Int. Conference on | ||
Digital Libraries for Musicology (DLfM’23), 40–48. | ||
https://doi.org/10.1145/3625135.3625149</unstructured_citation> | ||
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<article_title>MEI Guidelines (5.0.0)</article_title> | ||
<author>Music Encoding Initiative</author> | ||
<cYear>2023</cYear> | ||
<unstructured_citation>Music Encoding Initiative. (2023). | ||
MEI Guidelines (5.0.0). | ||
https://music-encoding.org/guidelines/v5/.</unstructured_citation> | ||
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<article_title>A model for annotating musical versions and | ||
arrangements across multiple documents and media</article_title> | ||
<author>Lewis</author> | ||
<journal_title>Proceedings of the 9th international | ||
conference on digital libraries for musicology (DLfM’22)</journal_title> | ||
<doi>10.1145/3543882.3543891</doi> | ||
<isbn>9781450396684</isbn> | ||
<cYear>2022</cYear> | ||
<unstructured_citation>Lewis, D., Shibata, E., Saccomano, | ||
M., Rosendahl, L., Kepper, J., Hankinson, A., Siegert, C., & Page, | ||
K. (2022). A model for annotating musical versions and arrangements | ||
across multiple documents and media. Proceedings of the 9th | ||
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</citation> | ||
<citation key="weigl2019interweaving"> | ||
<article_title>Interweaving and enriching digital music | ||
collections for scholarship, performance, and enjoyment</article_title> | ||
<author>Weigl</author> | ||
<journal_title>Proceedings of the 6th international | ||
conference on digital libraries for musicology (DLfM’19)</journal_title> | ||
<doi>10.1145/3358664.3358666</doi> | ||
<cYear>2019</cYear> | ||
<unstructured_citation>Weigl, D. M., Goebl, W., Crawford, | ||
T., Gkiokas, A., F. Gutierrez, N., Porter, A., Santos, P., Karreman, C., | ||
Vroomen, I., CS Liem, C., & others. (2019). Interweaving and | ||
enriching digital music collections for scholarship, performance, and | ||
enjoyment. Proceedings of the 6th International Conference on Digital | ||
Libraries for Musicology (DLfM’19), 84–88. | ||
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</citation> | ||
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<article_title>A demonstration of the Solid platform for | ||
social Web applications</article_title> | ||
<author>Mansour</author> | ||
<journal_title>Proceedings of the 25th international | ||
conference companion on world wide web</journal_title> | ||
<doi>10.1145/2872518.2890529</doi> | ||
<isbn>9781450341448</isbn> | ||
<cYear>2016</cYear> | ||
<unstructured_citation>Mansour, E., Sambra, A. V., Hawke, | ||
S., Zereba, M., Capadisli, S., Ghanem, A., Aboulnaga, A., & | ||
Berners-Lee, T. (2016). A demonstration of the Solid platform for social | ||
Web applications. Proceedings of the 25th International Conference | ||
Companion on World Wide Web, 223–226. | ||
https://doi.org/10.1145/2872518.2890529</unstructured_citation> | ||
</citation> | ||
<citation key="Sapov_2022"> | ||
<article_title>mei-friend. A viewer and last-mile editor for | ||
MEI score encodings</article_title> | ||
<author>Sapov</author> | ||
<journal_title>RIDE – A review journal for digital editions | ||
and resources</journal_title> | ||
<volume>15</volume> | ||
<doi>10.18716/ride.a.15.2</doi> | ||
<cYear>2022</cYear> | ||
<unstructured_citation>Sapov, O. (2022). mei-friend. A | ||
viewer and last-mile editor for MEI score encodings. RIDE – A Review | ||
Journal for Digital Editions and Resources, 15. | ||
https://doi.org/10.18716/ride.a.15.2</unstructured_citation> | ||
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<article_title>“Ain schone kunstliche Underweisung”: | ||
Modelling German lute tablature in MEI</article_title> | ||
<author>de Valk</author> | ||
<journal_title>Encoding Cultures: Joint MEC and TEI | ||
Conference 2023 Abstracts</journal_title> | ||
<cYear>2023</cYear> | ||
<unstructured_citation>de Valk, R., Schöning, K., Weigl, D. | ||
M., Lewis, D., Crawford, T., Lewon, M., & Overell, P. (2023). “Ain | ||
schone kunstliche Underweisung”: Modelling German lute tablature in MEI. | ||
Encoding Cultures: Joint MEC and TEI Conference 2023 Abstracts. | ||
https://teimec2023.uni-paderborn.de/contributions/188.html</unstructured_citation> | ||
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