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Article submission on the rhetorical stylistics of databending. #13

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then, has attributed a set of values to databending \(act\) and its datamoshy output
\(consequence\). From such source-level practices, Briz attempts to persuade users who conduct his
GCT and most likely already have some degree of value placed on its output, to espouse this value,
perhaps aready shared by consumers of glitch art on the output-end, through the a person's
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should be 'already', yea?

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vidus commented Aug 12, 2013

And I'm going to be that person that thinks one thing and types another. The above Latour should be Reassembling the Social. I mentally combined it with Making Things Public.

In Brock's article[^brock1], he analyzes developers' use of metaphors in naming conventions within
the bounds of more professional spheres. In this article, I examine a different community who
engages with source code, using alternative methods of source development, or, perhaps,
manipulation. Specifically, I examine how new-media artist Nick Briz[^briz1] demonstrates a glitch
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I know that you provide a brief introduction to glitches & glitch art below in the next section, but it seems like this introduction needs its own accessible intro to or overview of glitch(ing). Specifically, you may want to clarify that it's a set of activities that work with code in ways unanticipated or unintended by the original developer(s)--a point of detail that can help set up the discussion of metaplasm and transformation toward which you ultimately work.

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4 participants