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loadhtml #218
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loadhtml #218
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mathieuLivebardon
approved these changes
Jul 5, 2022
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🐘
client/assets/worlds/Room_Expo.json
Outdated
@@ -1265,7 +1265,7 @@ | |||
"factorHeight": 3, | |||
"map_path": "./assets/img/uploaded/8DA2C1D5-2E2A-4A52-8681-44044E78D171.jpeg", | |||
"gpsCoord": { "lng": null, "lat": null, "checked": false }, | |||
"descriptionText": "<?xml version=\"1.0\" encoding=\"UTF-8\"?>\n<!DOCTYPE html PUBLIC \"-//W3C//DTD XHTML 1.1 plus MathML 2.0//EN\" \"http://www.w3.org/Math/DTD/mathml2/xhtml-math11-f.dtd\">\n<html xmlns=\"http://www.w3.org/1999/xhtml\" lang=\"en-US\">\n <!--This file was converted to xhtml by LibreOffice - see https://cgit.freedesktop.org/libreoffice/core/tree/filter/source/xslt for the code.--><head\n profile=\"http://dublincore.org/documents/dcmi-terms/\"\n >\n <meta\n http-equiv=\"Content-Type\"\n content=\"application/xhtml+xml; charset=utf-8\"\n />\n <meta name=\"DCTERMS.title\" content=\"\" xml:lang=\"en-US\" />\n <meta name=\"DCTERMS.language\" content=\"en-US\" scheme=\"DCTERMS.RFC4646\" />\n <meta name=\"DCTERMS.source\" content=\"http://xml.openoffice.org/odf2xhtml\" />\n <meta\n name=\"DCTERMS.issued\"\n content=\"2022-02-23T10:34:28.119000000\"\n scheme=\"DCTERMS.W3CDTF\"\n />\n <meta\n name=\"DCTERMS.modified\"\n content=\"2022-02-23T10:35:31.154000000\"\n scheme=\"DCTERMS.W3CDTF\"\n />\n <meta name=\"xsl:vendor\" content=\"libxslt\" />\n <link\n rel=\"schema.DC\"\n href=\"http://purl.org/dc/elements/1.1/\"\n hreflang=\"en\"\n />\n <link rel=\"schema.DCTERMS\" href=\"http://purl.org/dc/terms/\" hreflang=\"en\" />\n <link\n rel=\"schema.DCTYPE\"\n href=\"http://purl.org/dc/dcmitype/\"\n hreflang=\"en\"\n />\n <link rel=\"schema.DCAM\" href=\"http://purl.org/dc/dcam/\" hreflang=\"en\" />\n <style>\n table {\n border-collapse: collapse;\n border-spacing: 0;\n empty-cells: show;\n }\n td,\n th {\n vertical-align: top;\n font-size: 12pt;\n }\n h1,\n h2,\n h3,\n h4,\n h5,\n h6 {\n clear: both;\n }\n ol,\n ul {\n margin: 0;\n padding: 0;\n }\n li {\n list-style: none;\n margin: 0;\n padding: 0;\n }\n span.footnodeNumber {\n padding-right: 1em;\n }\n span.annotation_style_by_filter {\n font-size: 95%;\n font-family: Arial;\n background-color: #fff000;\n margin: 0;\n border: 0;\n padding: 0;\n }\n span.heading_numbering {\n margin-right: 0.8rem;\n }\n * {\n margin: 0;\n }\n .P1 {\n font-size: 12pt;\n font-family: 'Liberation Serif', 'Times New Roman';\n writing-mode: horizontal-tb;\n direction: ltr;\n text-align: center !important;\n }\n .P2 {\n font-size: 14pt;\n font-family: 'Liberation Serif', 'Times New Roman';\n writing-mode: horizontal-tb;\n direction: ltr;\n text-align: center !important;\n }\n .P3 {\n font-size: 12pt;\n font-family: 'Liberation Serif', 'Times New Roman';\n writing-mode: horizontal-tb;\n direction: ltr;\n text-align: left !important;\n color: #000000;\n }\n .P4 {\n font-size: 12pt;\n font-family: 'Liberation Serif', 'Times New Roman';\n writing-mode: horizontal-tb;\n direction: ltr;\n line-height: 150%;\n text-align: justify !important;\n color: #000000;\n }\n .P5 {\n font-size: 12pt;\n font-family: 'Liberation Serif', 'Times New Roman';\n writing-mode: horizontal-tb;\n direction: ltr;\n line-height: 150%;\n text-align: justify !important;\n color: #00a933;\n }\n .P6 {\n font-size: 12pt;\n font-family: 'Liberation Serif', 'Times New Roman';\n writing-mode: horizontal-tb;\n direction: ltr;\n line-height: 150%;\n text-align: left !important;\n }\n .P7 {\n font-size: 12pt;\n font-family: 'Liberation Serif', 'Times New Roman';\n writing-mode: horizontal-tb;\n direction: ltr;\n line-height: 150%;\n text-align: justify !important;\n }\n .P8 {\n font-size: 12pt;\n font-family: 'Liberation Serif', 'Times New Roman';\n writing-mode: horizontal-tb;\n direction: ltr;\n line-height: 150%;\n text-align: justify !important;\n color: #c9211e;\n }\n .P9 {\n font-size: 12pt;\n line-height: 150%;\n margin-bottom: 0.247cm;\n margin-top: 0cm;\n font-family: 'Liberation Serif', 'Times New Roman';\n writing-mode: horizontal-tb;\n direction: ltr;\n text-align: justify !important;\n }\n .T2 {\n font-style: italic;\n font-weight: bold;\n }\n .T3 {\n font-weight: bold;\n }\n .T4 {\n font-weight: bold;\n }\n .T5 {\n font-size: 12pt;\n font-weight: bold;\n }\n .T6 {\n color: #000000;\n }\n .T7 {\n color: #000000;\n font-weight: bold;\n }\n /* ODF styles with no properties representable as CSS:\n { } */\n </style>\n </head>\n <body\n dir=\"ltr\"\n style=\"\n max-width: 21.001cm;\n margin-top: 2cm;\n margin-bottom: 2cm;\n margin-left: 2cm;\n margin-right: 2cm;\n \"\n >\n <p class=\"P2\">L’agglomération lyonnaise confinée - avril 2020</p>\n <p class=\"P1\">Photographier l’absence de présence humaine en ville :</p>\n <p class=\"P1\">l’expérience du confinement sur l’espace public.</p>\n <p class=\"P3\"> </p>\n <p class=\"P3\"> </p>\n <p class=\"P5\"> </p>\n <p class=\"P9\">\n La première interdiction de déplacement en France, ou « confinement de la\n population », est une mesure sanitaire inédite mise en place du 17 mars au\n 11 mai 2020. En réponse à la pandémie Covid-19, elle s'insère dans un\n ensemble de politiques de protection des populations limitant les contacts\n humains et les déplacements. Cette expérience improbable et extraordinaire\n permet de contenir la propagation de l’épidémie et a comme conséquence une\n perception très particulière de l’espace public urbain. Le LabeEx IMU\n s’est saisit<span class=\"T2\"> </span>de cette occasion exceptionnelle.\n </p>\n <p class=\"P9\"> </p>\n <p class=\"P9\">\n Photographier c’est figer le mouvement. Comment alors photographier une\n ville sans mouvement ni présence humaine ? A hauteur du promeneur,\n l'observateur-photographe s'attache à montrer les différences visibles\n engendrées par le confinement dans la rue.\n <span class=\"T4\">Photographier l’absence, le vide, </span\n ><span class=\"T5\">e</span\n ><span class=\"T4\">ssayer de transcrire, percevoir le silence</span\n ><span class=\"T3\"> n’est pas chose simple</span>, d’autant que l’exercice\n n’a pas été répété ni anticipé !\n </p>\n <p class=\"P6\"> </p>\n <p class=\"P7\">\n Nos sens de citadins marcheurs sont habituellement accaparés par les flux\n et les dangers potentiels qu’ils engendrent : vitesse, bruits, tensions,\n incivilités, accélérations, évitements, collisions… mais aussi\n chalandises, activités, rencontres, surprises, badinages et promenades… Le\n centre-ville vit perpétuellement dans une grande intensité mais\n généralement intériorisée par l’habitant.\n </p>\n <p class=\"P7\"> </p>\n <p class=\"P7\">\n Premier constat, une évidence, la quasi-absence de flux entraîne un\n apaisement généralisé. Le<span class=\"T6\">s </span>bruits sont en forte\n diminution. Par habitude, les sens du piéton continuent d’être en éveil.\n <span class=\"T3\">On se met à écouter, voir, ressentir, </span\n ><span class=\"T7\">à prêter attention.</span><span class=\"T6\"> </span>\n </p>\n <p class=\"P4\"> </p>\n <p class=\"P7\">\n <span class=\"T6\"\n >Tout ce qui était couvert par l’agitation et les bruits des flux\n quotidiens ressurgit. </span\n ><span class=\"T7\">Moins de tumulte et l’attention revient</span\n ><span class=\"T6\"\n >. Le promeneur entend les oiseaux, le vent, la circulation lointaine,\n le son de ses propres pas et ceux des rares passants, les conversations,\n les rires qui s’échappent des fenêtres ouvertes ou des oreillettes des\n coureu</span\n >rs, les bruits techniques de frottement, de roulage des derniers\n véhicules… Les désormais rares échappements libres en circulation,\n deviennent alors totalement insupportables en interdisant tout autre\n attention qu’à son émergence brutale.\n </p>\n <p class=\"P8\"> </p>\n <p class=\"P7\">\n <span class=\"T3\"\n >Un nouveau regard sur l’environnement est possible, attentif aux\n formes, des monuments aux édifices ordinaires, jusqu’aux objets qui\n organisent l’espace. </span\n >Tout devient digne d’intérêt, présent. La fin du tumulte ouvre à\n l’architecture, à la perspective, aux vides, aux frontières, aux détails,\n aux rythmes, à la différenciation.\n <span class=\"T3\">La ville devient sculpture</span>. L’absence du brouhaha\n de la ville ordinaire permet d’interroger l’utilité de chaque objet : leur\n dimension, leur puissance. Des infrastructures apparaissent trop\n généreuses quand les activités qu’elles servent disparaissent.\n </p>\n <p class=\"P7\"> </p>\n <p class=\"P7\">\n La perception de la forme des objets se renforce, tout comme une\n interrogation sur leur rôle. Les infrastructures urbaines et tous les\n dispositifs deviennent admirables, dessinant des espaces comme autant de\n sculptures et d’architectures.\n <span class=\"T3\"\n >Leur utilité apparaît comme un manque formant une esthétique, une\n certaine poésie formelle</span\n > : jeux géométriques, élégance des courbes, superposition des\n dispositifs...\n </p>\n </body>\n</html>\n" | |||
"descriptionHtml": "./assets/html/room_expo_panel.html" |
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resolve #216