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Origin-1911-a-0030.txt
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20 RUDIMENTS.
In vocal music would mean Missa di Voce (which see) Instrumental
music it would also mean crescendo and diminuendo.
Hold, a character indicating that the time of the note, or rest is to be pro -
longed; To such length of time as the director, leader or performer may desire to
give the best effect to the music.
Segno. A sign showing that the music is to be repeated from the sign
above indicated.
Repeat preceding measure.
Is double sharp.
Repeat signs in different arrange -
ments of music, instrumental and
vocal.
Redite. Repeat words. Thumb (pfts-music.) American Fingering.
Added lines to call attention to repetition dots. Bis is also sometimes used
as a repeat mark.
Mordent and Praller. Breathing Mark.
Trill: consists of a rapid alteration of the printed note and the next note
above, to the value of the printed note.
Continued.
This stgn indicates the continuation of the trill, or an octave.-
Repeat figure of eight notes. Repeat preceding figure of sixteen notes?.
A stave. A bar. A double bar?
Grace notes.
The coda mark. First time of playing disregard the sign. Second time
after D. C. skip from this sign to the coda, Sometimes the sign is also placed at
the coda.
Coda (It.) (ko-da.) The end; a few bars added to the end of a piece of music
to make a more effective termination. From the Latin, “Cauda*’—a tail. The coda?
originally a few added chords after the completion of the musical form.
CLEFS. Clefs are keys or characters used to
determfne the name of pitch or the notes on the
staff to which it is prefixed. The clef began in
music about 900; there were then no notes. G Clef, C Clef and F Clef.
Signatures. Figures or signs in the form of a fraction, placed at t^ e
beginning of a piece of music to indicate the time, but very little now
Time: That which governs the measure of sounds in regard to their
continuence or duration. The speed of rythm. The rapidity with which the natu -
ral accents follow each other.
CANON. A Round; four Parts in One. 7s.
Welcome, welcome, ev’-ry guest, Welcome to our music feast: Mu - sic
a *
is
our on-ly cheer, Fills both soul and rav - ish’d ear.
Sa-cred Nine, teach us the mood,—Sweetest notes to be ex-plored,-Soft - ly swell the tremb-ling air, To complete our con-cert fair.
FIRE ALARM. In Four Parts,
1 2^ 4=
Bells are ringing, What’s the matter, See the smoke and hear the clatter, Fire, Fire, Fire,
Fire, Pour on
wa-ter
Pour on
wa-ter.