forsthaus.orc

sr = 44100
kr = 441
ksmps = 100
nchnls = 1

;prepared for , and
;syntheszers create simple tones, and 
;we should talk about how you use them with this abstract model.
;see what we can do with the simplest materials
;sarcastic envelope 
;the youtube video is a personal document
;mostly for my kids and their grandparents to remember 
;as a field recording it is also an environmental document
;we show fish and forestry, and bike paths through the country
;field recording mastering techniques are
;framing, and highlighting.
;or cologne and concrete, respectively 
;framing can use a quiet sine wave to establish an auditioning perspective,
;such as a listener with tinnitus.
;highlighting can involve grabbing certain frequencies from the recording,
;such as:
;a handheld chainsaw, and a vacuum cleaner, represented by squares
;a baby speaking and quiet jazz during an evening bike ride- triangles
;a truck passing, accelerationn and doppler, triangle
;a local train arriving and departing, played by bending sine.
;and slow car on bridge, sine.
;the vehicles are subject to doppler, decelleration, and acceleration,
;so the basic oscillator features a2b frequency control.
;with moving frequencies, like wolves howling, perk listeners ears
;while held frequencies (a2a) have a sublime divine effect of true music.
;sine, triangle, and square are the three function tables we have
;our oscillator can select one of the three.
;see anthony braxton, tricentric musics.

isine ftgen 1, 0, 8192, 10, 1     
isine ftgen 2, 0, 8192, 10, 10,9,8,7,6,5,4,3,2,1,10,9,8,7,6,5,4,3,2  ;2 squares at decades   
ihorn ftgen 3, 0, 512, 7, -1, 256, 1, 256, -1
isquare ftgen 4, 0, 512, 7, -1, 256, -1, 0, 1, 256, 1

instr 1
 kenv linseg 8000, p3, 0
 apch linseg p5, p3, p6
 a1 oscil kenv, apch, p4
 out a1
endin

instr 2
 kenv linseg 0, p3/2, 8000, p3/2, 0
 apch linseg p5, p3, p6
 a1 oscil kenv, apch, p4
 out a1
endin

instr 3
 kenv linseg 0, p3, 8000
 apch linseg p5, p3, p6
 a1 oscil kenv, apch, p4
 out a1
endin